It’s a line that sticks with you, Anne Hathaway’s character in “The Idea of You” being told, only somewhat sarcastically, that people don’t like happy women.

“Women who live their lives out loud, who are proud of who they are, going for whatever it is they want, whether that’s career or romance or anything — I think society tends to react negatively to that,” says the film’s director and co-writer, Michael Showalter, during a phone interview less than a week before the film’s debut May 2 on Prime Video. “There's something threatening about it — about a woman who is unapologetic about pursuing her own desire.”

Adapted from the novel by Robinne Lee and co-written by Jennifer Westfeldt (“Kissing Jessica Stein”), “The Idea of You” tells the story of Hathaway’s Solène Marchand, a divorced single mom and successful art gallery director who, having just turned 40, does her best not to fall for Nicholas Galitzine’s Hayes Campbell, a 24-year-old singer in a popular boy band who gives her the full-court press.

It is the latest film from Showalter, once a cast member of the cult-fave MTV sketch-comedy show “The State” who’s gone on to enjoy an increasingly varied filmmaking career. His directorial credits include 2015’s “Hello, My Name Is Doris”; 2017 critical darling “The Big Sick”; the hilarious 2020 romp “The Lovebirds,” which, like “The Big Sick,” co-starred Kumail Nanjiani; 2021’s “The Eyes of Tammy Faye, for which star Jessica Chastain won the Academy Award for best actress; and the well-received 2022 drama “Spoiler Alert.”

In a conversation edited for length and clarity, Showalter discusses the new movie and more.

Q: In the spirit of “The Idea of You” being a romance, how did you and this movie get together?

A: (Laughs) That’s a very good question. I was sent a script — I had not heard of the book yet — and Anne Hathaway was attached. I loved the premise of the characters, and I love Anne and I was a lover of this genre, the romantic genre. I thought, “Wow, these are two characters and a story I haven't really seen before, and I'd love to try to tell this story.”

Q: That was a script by Jennifer Westfeldt, with whom you then collaborated?

A: Exactly. I had a little bit of a different idea about it, and so we kind of worked together from a draft that she started.

Q: How much of the draw of the project was that, like other films you’ve made, it’s different from what you’ve already done?

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